A passing storm, distant lightning and a minute-long exposure. Sometimes the photograph depends on being ready to walk out the door.
Category Archives: Field Notes
Has a Posse
A sticker on a Kingston utility box leads me back to Shepard Fairey’s Andre the Giant Has a Posse and nearly four decades of bootlegs, remixes and visual culture.
Of Something / About Something
Two photographs of the same scene at Upper Gap. One describes what I saw; the other tries to express how I’ve been feeling. An experiment in the difference between making photographs of something and photographs about something.
A Sign of the Times?
A familiar command, altered by one anonymous word. Why here, and why now?
#chaoticgood
A little roadside intervention, a reflective red nose, and a reminder that the world could use more whimsy.
I Spy Little Eyes
Once I noticed the first pair, I started seeing them everywhere: googly eyes on fire hydrants, walls, and bits of street furniture, turning city walks into a small scavenger hunt.
Crowd Control
A Field Note on photographing the Winged Victory of Samothrace at the Louvre, using long exposure to turn a crowded museum encounter into an image of time, movement, and human presence.
Patience at the Water’s Edge
A quiet Field Note from Kingston, where a managed stormwater pond becomes a neighbourhood habitat for swans, cygnets, and patient observation.
Upper Gap
A quiet evening beside Lake Ontario after completing my MA Photography final project. Photographed from Upper Gap using a 24-second exposure.
Islands of Light
A foggy night transforms an ordinary parking lot into a cinematic scene of glowing streetlights, reflections, and quiet isolation.